Japanese Ritual Architecture
An Overview of Japanese Ritural Architecture from
the Kofun to Momoyama Periods
Click on a subject heading to jump to that section
of the paper. Once there, highlighted terms and/or building names
will link directly to appropriate illustrations. Some buildings have
more than one picture, so don't assume you've already seen it unless the
link has turned purple. I hope you enjoy your tour through Japanese
Ritual Architecture.
Outline and Table of Contents
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Introduction
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Shinto Architecture
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Raised above the ground
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Symmetrical Layout
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Limited Access
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Decorative Ridge-Poles (and "fillials")
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Varied axis-orientation
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Early Buddhist Architecture
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First temple, Makuharadera, made out of a home
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Following temples built specifically to house images recieved
from Korea
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Nara period on follow Confucian symmetrical layout and geomancy
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Pagoda vital, either in symmetrical pairs or directly along
the main axis
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North-south orientation, facing south
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Middle Buddhist Architecture
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Symmetry de-emphisized, sometimes dropped due to setting
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Pagoda marginalized
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Hosohoji the biggest ever built, but almost none follow it
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Classic 5-storied design varied
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Position in temple grounds less important, pushed off to
one side
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Relic inside forgotten
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Relic sometimes replaced by esoteric 3-D mandala
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North-south orientation not exclusively followed
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Esoteric Buddhists construct 3-D mandalas at Toji, Byodoin,
Sanjusangendo
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Late Buddhist Architecture
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4 simultaneous "new" styles
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"Indian": South Chinese i.e. rebuilding of Todaiji
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"Chinese": Zen Style i.e. Nanzenji, Tofukuji, the Kamakura
Go-Zan
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"Japanese": Extant style from the Nara and Heian periods
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Mixtures of the three
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#2 (The Zen or "Chinese") Style most important
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Gikai (Dogen's successor) goes to China to study Zen building
methods
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Picks some things, ignores others
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Builds Engakuji at Kamakura
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Sanmon gates: i.e. Nanzenji, Tofukuji, Kamakura Go-Zan
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Symmetry-axis only for main buildings, if that
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Often north-south, but Nanzenji faces west and Kenchoji curves
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"Zen" art often incorporated: i.e. dragon painting on the
ceiling at Tofukuji
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Later Variations
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"Temple building from Muromachi on presents almost no new
phenomenon." However, gardens gain a new importance in the compounds.
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Gardens become important: i.e. Konchi-in added to Nanzenji
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Signifigant buildings are no longer temples but private pavillions
in nice gardens: i.e. Ginkakuji and Kinkakuji
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Gardens later added to older temples such as Nanzenji and
Tofukuji
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Conclusion